Difference between revisions of "Talk:Joycean Writers"

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* Furthermore, the "themes" listed are, with the exception of "sexual themes as omnious and threatening," not themes ''per se,'' but stylistic characteristics.  It's also questionable whether they are common in Joyce or Gregor Samsa's writing.
 
* Furthermore, the "themes" listed are, with the exception of "sexual themes as omnious and threatening," not themes ''per se,'' but stylistic characteristics.  It's also questionable whether they are common in Joyce or Gregor Samsa's writing.
** ''"Tendency to narrate little action by using many words"'' certainly does not apply to '''Dubliners''' or '''Portrait of the Artist as a Young Man.'''  I'd say where it occurs in '''Ulysses''' it's a function of one of Joyce's appropriation of a pre-existing prose style (e.g., The Oxen of the Sun chapter) or creation of a new style appropriate to the material (e.g., Sirens chapter, where the narration is meant to imitate countrapunctal music).  In the case of Gregor Samsa's fan fiction, that much of it is script fic makes this characterization highly questionable.
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** ''"Tendency to narrate little action by using many words"'' certainly does not apply to '''Dubliners''' or '''Portrait of the Artist as a Young Man.'''  I'd say where it occurs in '''Ulysses''' it's a function of one of Joyce's appropriations of a pre-existing prose style (e.g., The Oxen of the Sun chapter) or creations of a new style appropriate to the material (e.g., Sirens chapter, where the narration is meant to imitate countrapunctal music).  In the case of Gregor Samsa's fan fiction, that much of it is script fic makes this characterization highly questionable.
 
** ''"Purposeful genreswitching, or genrebending"''  '''Ulysses''' certainly does this, but I can't think of a single fic by Gregor Samsa that switches genres mid-stream, unless you count [[The Waste La(w)nd]], and that's questionable because it follows the shifts in Eliot's "The Waste Land."
 
** ''"Purposeful genreswitching, or genrebending"''  '''Ulysses''' certainly does this, but I can't think of a single fic by Gregor Samsa that switches genres mid-stream, unless you count [[The Waste La(w)nd]], and that's questionable because it follows the shifts in Eliot's "The Waste Land."
 
** ''"Excessive use of stream of consciousness technique"'' Again, '''Ulysses''' certainly does this, but the only Dariafics by Gregor Samsa with this characteristic are his crossovers with '''Ulysses''' and '''The Sound and the Fury.''' ("The Sound and the QB")
 
** ''"Excessive use of stream of consciousness technique"'' Again, '''Ulysses''' certainly does this, but the only Dariafics by Gregor Samsa with this characteristic are his crossovers with '''Ulysses''' and '''The Sound and the Fury.''' ("The Sound and the QB")
 
In sum, I think this whole category needs to be rethought.  It might be more illuminating (and inclusive) to consider Dariafic authors who allude to canonical authors, but then the list becomes quite long. —[[User:ScissorsMacGillicutty|ScissorsMacGillicutty]] 13:35, 27 May 2007 (EDT)
 
In sum, I think this whole category needs to be rethought.  It might be more illuminating (and inclusive) to consider Dariafic authors who allude to canonical authors, but then the list becomes quite long. —[[User:ScissorsMacGillicutty|ScissorsMacGillicutty]] 13:35, 27 May 2007 (EDT)

Revision as of 17:36, 27 May 2007

  • While Joyce is a favorite author of mine, I do not consider myself "largely inspired" by him. His influence, a different matter than "inspiration," is probably inescapable for anyone writing prose fiction in English today, even those who've never read a sentence of Dubliners, A Portrait of the Artist as a Young Man, and Ulysses. A cursory reading of Journey to the End of the Fashion Club and Where's Mary Sue shows that L.F. Céline and William Gaddis respectively were obvious insprirations for those works—to say nothing of the Daria fan author posing as "Sandi Griffin" for the former, and C.E. Forman for the latter. Hence my removing my name from this list. —ScissorsMacGillicutty 12:20, 27 May 2007 (EDT)
  • Furthermore, the "themes" listed are, with the exception of "sexual themes as omnious and threatening," not themes per se, but stylistic characteristics. It's also questionable whether they are common in Joyce or Gregor Samsa's writing.
    • "Tendency to narrate little action by using many words" certainly does not apply to Dubliners or Portrait of the Artist as a Young Man. I'd say where it occurs in Ulysses it's a function of one of Joyce's appropriations of a pre-existing prose style (e.g., The Oxen of the Sun chapter) or creations of a new style appropriate to the material (e.g., Sirens chapter, where the narration is meant to imitate countrapunctal music). In the case of Gregor Samsa's fan fiction, that much of it is script fic makes this characterization highly questionable.
    • "Purposeful genreswitching, or genrebending" Ulysses certainly does this, but I can't think of a single fic by Gregor Samsa that switches genres mid-stream, unless you count The Waste La(w)nd, and that's questionable because it follows the shifts in Eliot's "The Waste Land."
    • "Excessive use of stream of consciousness technique" Again, Ulysses certainly does this, but the only Dariafics by Gregor Samsa with this characteristic are his crossovers with Ulysses and The Sound and the Fury. ("The Sound and the QB")

In sum, I think this whole category needs to be rethought. It might be more illuminating (and inclusive) to consider Dariafic authors who allude to canonical authors, but then the list becomes quite long. —ScissorsMacGillicutty 13:35, 27 May 2007 (EDT)