The Waste La(w)nd: Difference between revisions

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| valign="top" width=35% |Lilacs out of the dead land, mixing
| valign="top" width=35% |Lilacs out of the dead land, mixing
| valign="top" width=35% |Anxiety out of the dead land, mixing
| valign="top" width=35% |Anxiety out of the dead land, mixing
| valign="top" |''No greater constrast between the poetic power of the two authors can be found than in these two lines; Eliot descends to the merely pastoral with lilacs, while Samsa evokes both Heidegger's nicht and angst with his reference to "anxiety" coming from the "dead land."''
| valign="top" |''No greater constrast between the poetic power of the two authors can be found than in these two lines; Eliot descends to the merely pastoral with lilacs, while Samsa evokes both Heidegger's nicht and [http://de.wikipedia.org/wiki/Sein_und_Zeit#Angst angst] with his reference to "anxiety" coming from the "dead land."''
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| Memory and desire, stirring || Memory and jealousy, stirring || '' ''
| Memory and desire, stirring || Memory and jealousy, stirring || '' ''

Revision as of 02:04, 11 April 2007

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April is the cruellest month, breeding April is the cruellest month, breeding Note Eliot's lack of originality in taking Samsa's line verbatim.
Lilacs out of the dead land, mixing Anxiety out of the dead land, mixing No greater constrast between the poetic power of the two authors can be found than in these two lines; Eliot descends to the merely pastoral with lilacs, while Samsa evokes both Heidegger's nicht and angst with his reference to "anxiety" coming from the "dead land."
Memory and desire, stirring Memory and jealousy, stirring