Tired Daria Fandom Tropes: Difference between revisions

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According to CINCGREEN, there are four components to what is called [[melodrama]] (what in some quarters might be called [[angst]]):
 
:* a sensational, "movie of the week" topic
:* the building of suspense
:* the use of coincidence to move the plot
:* a moral which more or less reaffirms the "forbidden maxims" of society. These maxims may be opposed to the beliefs to which society gives lip service.
 
Any story written which is centered around Quinn's rape certainly satisfies the first of those criteria: such a story would be the very definition of sensationalism. Two authors have written stories where Quinn is raped and attempt to explore the consequences: "[[So Turns the Wheel]]" by [[Michelle Klein-Hass]] and the better-known "[[Sins of the Past]]," by [[Martin J. Pollard|Martin Pollard]].
 
In general, the stories of both Klein-Hass and Pollard were so well received that, in effect, the topic could no longer be explored: any further attempt to write a portrayal of a ''Daria'' character being raped would be compared to much-more well-known and well-received stories, and the concept was effectively dead as fan fiction material.
 
====Quinn deserved to be raped====
 
In general '"rapefic'" is not well received in this fandom, for obvious reasons, particularly if such rapes are explicit and occur as part of the story narrative. However, for a long time, Pollard's "Sins of the Past" had the reputation forof being a well-told story.
 
In summer of 1999, [[Kara Wild]] wrote an essay, "[[On the Subject of Quinn and Rape]]." Although relatively mild compared to the criticism that would follow, her essay took Pollard, Klein-Hass, and [[Peter Guerin]] to task for seeming to validate the notion that rape could redeem Quinn. She argued that the reverse was just as likely, and pointed to [[John Berry]]'s [[My Quinn's Delayed Reaction]] as an example of a way Quinn could redeem herself <i>without</i> experiencing violence. In response, Klein-Hass was horrified that her work might be interpreted as a justification for rape, while Pollard admitted to Wild that he could see her point of view. Klein-Hass would later amend "[[So Turns the Wheel]]" to eliminate the "rape redemption" element.
 
Around 2000-2001, Blue Balls (later revealed to be [[Crazy Nutso]]) wrote an essay that also addressed "Sins of the Past" and "So Turns the Wheel." His essay was more in-depth and damning in its language.
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